Lol I don’t know what you want man, i didn’t realize this was one of those “digging my heels in because I don’t know how to be wrong” threads. I’ll let you do your thing, peace.

Who is “we”? I’m responding to your top level comment. You just asked the creator of an exclusively client-side app whether they support encryption. Not only is it reasonable for me to assume you mean client side encryption, it’s unreasonable for you to ask for server side encryption, because there is no server. It’s a BYOBackend situation.

Now if you’re asking for client-side encryption, something like Keepass where the file itself is encrypted, you have to use some form of auth to decrypt it on use, and you can store this file using whatever backend you want, that’s perfectly reasonable. I would still consider that encrypted at rest, but at least you could maybe separate encrypted reads from writes and limit the attack surface in the event of a breach.

Yeah, the combat is the least interesting part of the Control universe IMO. It was a shame they went the bullet sponge route with Firebreak. I felt they could have gone the friend-slop route and made a Repo-like set in the oldest house. The weirdness is the fun part, and I think the shooter aspect feels obligatory. AW2 was a better balance I thought. Felt like the game was 1/3 interesting cutscenes and story development, 1/3 exploration, 1/3 combat.

I feel like the genres of Warhammer 40K games are all over the place. Last year they put out a racing game.

I felt this way about Eastward and Pyre. Both were beautiful games, amazing art, well written characters, excellent soundtracks, but the actual gameplay didn’t grab me.

All phones are already disk encrypted these days. If you want disk encryption on your PC, you should enable it. Otherwise, it’s the responsibility of whatever backend you choose to handle encryption over the network.

YouTube doesn’t ban specific words, they have policies against certain types of content. You can individually say basically any word. But if you arrange those words to form a threat against someone, that will get pulled down.

Yes, definitely, but that’s a separate topic.

“I understand being upset, and I understand voicing your opinion,” said Kaplan. “But if a game comes out and you don’t want to play it, and you never played it–shut the f*** up!”

This was directed at twitter lol.

It’s not a “take”, that’s just how it is.

I also dislike ad-based funding of everything, that’s why I’m on the fediverse. Also don’t like a “take”-based internet, but don’t tell anyone…

You can say any word on yt, it’s just that some get deprioritized by the algorithm, which hurts ad revenue, so people choose to self-censor. That’s different from them taking something down so it can’t be viewed at all.

Posted on April fools. Is the joke that it’s such old news?

Is the monocle a reference to a particular character? Oh, like the guy on the box art? Hah, I’m not even sure what that character is supposed to be.

Iconic Red Alert 2 stuff would probably be:

• A Kirov bombing some iconic american building like the statue of liberty or white house
• Tesla Coil frying infantry to dust
• GI’s deployed in their sandbags
• Yuri’s psychic paraphernalia (ex. his headwear with the tubes running behind him, or his phone with a little antenna on it that he uses to mind control people he calls)
• Tanya with her dual pistols

The money you gather in RA2 is mostly gold ore, with some gems. I expect some yellow sprinkles with a patch of primary-colored sprinkles would be good for this.

There are two aesthetics: C&C versus C&C Red Alert.

• C&C uses Tiberium, factions are GDI vs Nod, iconic Nod structure is the Obelisk, iconic character is Kane.

• C&C Red Alert uses gold+gems, factions are Allies vs Soviets, iconic Soviet defensive structure is the Tesla Tower, iconic character is Tanya.

I’d say mixing aesthetics would look odd to a fan, so probably best to pick one. If you don’t know which is preferred, C&C (non-red alert) is probably the safer choice.

I wouldnt want to pay for a musician I dont listen to.

I disagree, and here is why.

The difference is between entertainment value and artistic value. There are a lot of art (music, film, writing, games, etc) that I think are important to exist for the betterment of humanity, but are too emotionally heavy to enjoy recreationally, or too niche for most people to engage with it; and yet, I believe are important that they exist. I want to support quality art that falls into those categories, even if I never consume them, because if I don’t, then one day when someone does come up with an idea that would be relevant to my niche, they are less likely to make it.

I don’t want a game’s ability to maximize engagement to be what determines how valuable it is, which is equivalent to saying, I don’t want the games I put my money toward to only be the games that I engage with. If you agree with the first half, then you must agree with the second half.

I was more hoping for a way to passively support indie devs that the market may otherwise not be giving enough attention to. I agree, I’d rather own a license (or better yet, physical copy) of a game and play it when I want, but I still view that relationship as part of the problem. I’d rather quality artwork not need to worry so much about playing the attention-lottery in order to survive.

the firm is working to sign up games from other developers, who’ll earn from a revenue share based on player engagement.

This is the dealbreaker for me. If there is a masterpiece game on there that takes 10h to complete, and a slop game that people sink 100s of hours into, I want the rev share to reward the 10h masterpiece more. I do not want an indie subscription service that incentivizes player engagement, full stop.

If I thought the majority of my $7 went to indie game devs, particularly ones doing interesting stuff that the market doesn’t properly reward, then I wouldn’t bat an eye at it. Probably wouldn’t even use the service and would continue buying game licenses directly, but if I’m only funding the few hits that make it in front of me, then I’m just contributing to the BS capitalist lottery that is the entertainment industry. Would much rather have a communal way to fund devs.

You might be surprised how little power it’s sipping when sitting idle. Unnecessary disk accesses might be the biggest power use in those hours, but that’s more likely to cost you due to wear and tear and eventual replacement of the drive.

I recommend buying a Kill-a-watt and monitoring your power consumption on the server for a week or two. Then do some math to see how much it’s actually costing your energy bill. If it’s actually considerable, then try using tools like powertop to see if you can determine what’s generating all the activity.

I haven’t seen any issues with year in review, I’m curious what you’ve seen.

Yep, my steam rewinds have been 100% Linux for a couple of years now.

I think the only exception in that time was AW2 because it’s an EGL exclusive (and ray tracing/mesh shading support in proton were still a bit lacking in performance).