Looking into it, ZOOM Platform is run by the Jordan Freeman Group, which has a similar mission statement to GOG, that being a DRM-free games platform that also touches up and sells old games. They seem to have acquired publishing rights to the FlatOut trilogy, along with either source code or enough resources to touch them up without it. I didn’t know about them until this post, so it’s nice to see that GOG isn’t the only DRM-free old-games platform around.
The Billet Labs prototype water block being so poorly handled was a consequence of them growing too big for Linus to manage; he hadn’t internalized that they weren’t six guys working out of a house anymore, but a proper medium sized business that didn’t need to strain for every bit of content to keep from going under, and could afford to slow down a little to get things right. They ended up taking a break from the constant grind to reorganize after GamersNexus put out a big piece on all the things LTT was doing wrong, all the sacrifices they were making to quality and accuracy for the sake of pushing out more and more content to stay relevant, and how badly they mishandled the prototype.
Not sure Linus has forgiven GN for the “hit piece” but I think they really needed the shock of it in order to get them to actually course correct immediately rather than keep putting it off.
I’d get premium if they weren’t so insistent on bundling in bullshit I don’t want or care about to justify the high price. I put up with enough of that from cable TV. I’ll pay when there’s an ad-free tier that doesn’t do anything else and is a reasonable price for “the service that’s free with ads, but without ads”. If there was a per-device premium tier that I could throw on my Roku, and all my family members could have premium when they stream from there, I’d pay for that. I’d pay for family tier if it didn’t have the dumb single-household rule which screws over truckers and those who travel for a living.
Google has options they could take to convince consumers to pay to not see ads, but there’s no creativity left there, no effort to court the market or adapt the service and prices to what potential customers need and are willing to pay. And it’s because they believe they are the market, and want to keep it that way.
It’s not gone, they didn’t even take down all of the Nintendo games, they took down specific games (reddit link), albeit a lot of them, but there’s still lots of stuff left.
Not that I know of; Bazzite is completely based on Fedora Atomic Desktops, which are an immutable type of distro that makes the core OS a read-only image that all gets updated separately from system apps. The Ubuntu equivalent of Fedora Atomic Desktops is Ubuntu Core, but I don’t know if Bazzite has a Ubuntu Core-based equivalent. Bazzite is released by a group called Universal Blue, which makes prepackaged OS builds based on Fedora Atomic Desktops, with particular focus areas. Bazzite focuses on including all gaming-related tweaks, apps, configs, and optimizations out of the box, Aurora focuses on general desktop PC functionality, and Bluefin focuses on productivity, but in the end they’re all Atomic/Immutable distros based on Fedora. It’s worth poking through it all and picking one that best suits your needs.
I switched to Bazzite not long after the Recall AI announcement, shrinking my Windows partition to leave it for just VR stuff which currently doesn’t work well outside of Windows, at least on my system. It’s pretty great! Not perfect, but the problems I have on Bazzite are similar enough in quantity and degree to problems I had on Windows that I’ve basically switched out one set of weird OS quirks for another. The big difference is now I don’t have to think about the OS being disrespectful corporate spyware.
his “solution” is some kind it proprietary video player that just plays Youtube videos.
It’s not proprietary, it’s source-available, and it plays a lot more than YouTube videos - in addition to YT, I use it to watch Nebula, Twitch, Odysee, and even Peertube on rare occasions. There are other plugins (that I don’t use) for BiliBili, Rumble, Patreon, Kick, and Soundcloud, and the way its plugin system works, there’s potential for many other paid subscription-based streaming services to be viewable through Grayjay. That is its real strength. If a creator uploads to a bunch of platforms, users can follow them on the platform they prefer, and get all their updates from one feed in one app, with added functionality that the official apps or sites simply might not have.
This is FUTO’s way of trying to make web video platforms more competitive, by creating an app that can interface with content from all of them and has all the popular features even if the sites themselves don’t. Grayjay has playlists, likes, dislikes, background playback, picture-in-picture, local history, the ability to block certain creators from the home feed, and the ability to hide individual videos from your feed. Furthermore, creators get a lot of ways they can monetize their content in Grayjay, like putting their merch store under the description of their videos, donation buttons, links to their Patreon or other subscription services, or general promotions, that would appear under all of their videos. Like… there are a lot of features here that really improve the experience with otherwise lackluster competitors. This tilts the market a tiny bit away from the established dominant players, and every new Grayjay user tilts it a little bit more.
Finally, it’s worth emphasizing that this is not Louis Rossmann’s personal pet project. His promotion of Grayjay, while it does align with his personal values, is paid work for a literal tech billionaire, Eron Wolf, who created and runs the FUTO organization. Neither of them need you to “take Louis Rossmann seriously.” They only want you to consider if the apps the company makes suit your needs and values.
Can confirm, I like building furniture more than I like writing code. I am… just sort of okay at both.
If it’s got N95 filters in it, but the design is flawed in such a way that air can just flow around the filters even with ideal fitment, then the mask as a whole is not N95. Now, maybe their design wasn’t flawed, we don’t actually know that, but N95 is a NIOSH standard only given to products that NIOSH has received and tested to be at a certain standard; Razer neglected to submit their masks to NIOSH in order to get an official rating. Razer could have performed their own tests and listed the level of particulates it blocks at various levels, but marketing it as an N95 respirator implied NIOSH had verified it when they hadn’t, which is fraud.
It’s a fun coincidence to me that corpophilia is one transposition away from a literal scat fetish. They may as well be the same thing, honestly.
Democratize corporations.
The problem with YouTube Premium is the pricing tiers are completely out of touch with what people are willing to pay and what services they’re willing to pay for.
Let me compare to Discovery+. For $9 a month, loads of shows that ran on TV for decades can be streamed at 1080p (or whatever resolution they were available in), on up to four devices at the same time. They still have some original shows that they spend money to make. This service does not have ads.
Let’s also compare to Nebula, which like Discovery+ also has original content funded by the platform. Every content creator there is also an invited owner of the platform, so their cost structure is a bit different, but they still have to sustain the costs of running a streaming platform while compensating the creators of said content for views. Nebula is a microscopic $5 a month per user with no ads.
YouTube is a platform with entirely user-generated content (costs YT nothing except bandwidth) that is already supported at the free tier with a gratuitous amount of ads. This service has been available completely free with ad support for nearly two decades. The lowest “premium” tier they offer is $14 a month for one person to stream ad-free, at a better 1080p bitrate, be able to download videos or watch them in the background in the official app, pay creators for every view, and have a music streaming app thrown in for good measure. The only other tier is all the same stuff in a $22 monthly family plan for six users, but they all have to be in the same “household” or you’re technically breaking TOS, so in practice it’s often more like $22 for three people, and heaven forbid any of you travel for work.
Two of the “premium” features should be free anyway. You can’t watch a video without downloading it at least once, so the bandwidth cost is the same. If you download it and play it more than once, that actually saves YouTube bandwidth, and therefore cost. Any video that’s played more than once is probably going to be played a lot more than once, so this would add up, especially if the app downloads the ad spots ahead of time. Background play doesn’t cost them any bandwidth at all and is a trivial feature to implement, so it’s put behind a paywall as an artificial restriction for no other reason than to annoy users for not paying. Both of these are anti-features; to charge for them is anti-consumer. They engender spite in users, making them less willing to pay for Premium and more determined to find alternatives.
Instead of trying to figure out what people are actually willing to pay for, which is the expected behavior of a market actor, Google continues to behave like a monopoly that can dictate terms to its users. This is why people refuse to pay for Premium. If they made the anti-features free, and introduced a Premium tier that is $7 a month to one user for nothing more than better bitrate streaming with no ads, people would sign up in droves. There could be a $9 tier for streaming boxes like Roku or Chromecast that offers Premium service for any account viewed from that one specific device, without having to sign up each individual account for premium, which satisfies another niche. The $14 tier could remain for those who also want music streaming (an extra $7 is still much cheaper than Spotify premium), and the $22 tier could still be a significant value proposition for actual families.
It’s not that the price offered for the $14 premium plan isn’t reasonable for what it offers - the issue is that what it offers doesn’t match the actual needs of many people who use adblockers or third-party clients, on top of insulting users with anti-features. Until YouTube management can be made to understand this, they will continue to screech impotently about ad-blockers while driving users away and leaving potential revenue on the table.
Grayjay still works? YT-DLP still works? I sleep.
It can, there’s an Open Subtitles plugin that can automatically download subtitles in specified languages that match (or don’t) the file hashes of your media. Being an open database of subtitles, though, YMMV. You configure it on a per-library basis.
If businesses were required to release the full source code for any piece of software that becomes defunct as a result of, for example, shutting down the servers it connects to, imagine how quickly they’d push an update that allows it to work offline.
Windows 11 won’t install if it can’t find a TPM chip, so disabling it means you won’t get stealth-upgraded to 11 when you’re least expecting it.
The fact they killed Omegle over pretty much exactly this but it’s apparently fine when Snapchat does it makes me angry. The only difference is one of them has billionaire investors to please.
A non-steam game can be launched through Steam on either device, but Steam doesn’t sync game saves for non-Steam games, hence Toribor’s use of syncthing. Once a sync job is set up for each game’s save folder, it’ll keep them synced about as well as Steam does for native games.
Webtoon is still shitty in other ways. When they adapt a property, they want it their way, regardless of the author’s original vision. I’ve seen several stories that originated on Royal Road get Webtoon adaptations, and the adaptations always seem to change or leave out important parts of the story, making characters look stupid or just completely replacing entire sets of characters, forcing the story to diverge substantially when inevitably something they got rid of turns out to have been critically important to where the author was taking things. They turn great stories into middling slop every single time.