I’ve done this almost from the very beginning (back in the 90s) and always had very small mobile communications costs because I could easilly change providers and plans and even do things like use a local SIM card whilst abroad to avoid roaming costs.
The style of architecture (notice the roof shingles, chimney shape, the dark red brick low wall between the street and the pump court and the iron fence in the middle of the road that goes by the pump - the photo was taken from the other side of the road), the kind of cars there, the weather and even the guy working with a reflective vest (all the way to the right of the picture) all suggest UK.
In fact even without the title the whole thing looks very UK (as opposed to other places in Europe, though I wouldn’t be as sure).
I lived in Britain and this picture immediatelly said “familiar” and “UK” as soon as I saw it. What’s funny is that to write this post I had to try and understand what elements made it so familiar.
Indeed.
60 years ago we were supposed to having to work very little by now thanks to automation, then automation came and instead of the productivity gains of it ending up spread across society, what happenned instead was that the extra productivity went just pushed up dividend and CxO pay higher and due to the reduced need for workers due to automation the purchasing power of salaries actually went down (for example, in the US the percentage of corporate revenues that went to pay salaries fell from 23% in the 70s down to 7% by 2014).
Expecting that, under the exact system that’s been moving us more and more towards Dystopia with each wave of automation, AI would somehow end up making things better for most people rather than better just for the Owner Class and worse for part or most of the rest, is pretty ill-informed and naive.
I all fairness, the short sentence “Person X with a fan in France” could just as easily be meant either way.
Probabilistically I wouldn’t be surprise that the fan that blows is more likely that the fan who is a person simply because everybody but a handful of people in the World do not really have legions of human fans they take pictures with, but once in a while some of them might in fact be mentioned along with the mention of a fan of the blowing kind.
It’s only the picture and us recognizing Lana Del Rey as a celebrity that lets us know it’s one kind of fan rather than the other kind.
Valve is a much, much bigger company than GoG, plus Valve’s Linux strategy is really a “have our own console on the cheap” strategy.
But yeah, GoG should be doing more for gaming on Linux, maybe not as much as Valve but proportionally so. At the moment they’re doing almost nothing at all: they have Linux offline installers available for games which do support Linux directly, but that’s it.
So whilst I find it unrealistic to expect that GoG should be contributing to gaming on Linux as much as Valve, I do agree they should be doing more.
PS: Mind you, I’m not trying to make the case that GoG is perfect and Steam is shit, I’m trying to make the case that open and flexible to use is better than closed and tightly integrated with a specific store, which is why I generally prefer GoG with their offline installers, as well as Lutris + Wine (quite independently of GoG) and would be happy enough even if Lutris had no GoG integration since long before moving my gaming rig to Linux I had the habit of downloading and using the offline installers and did not at all use GoG Galaxy.
If there’s one thing that 30 years of being a Software Engineer have taught me is that you want your system to be as decoupled as possible from any business, because even if they are nice at the moment that’s no guarantee that at a later date they won’t leverage people having their systems integrated with theirs to take advantage of their customers (the phenomenon of enshittification being a good example of that).
BDY sells their vehicles in Europe.
I do believe the safety regulations in the EU are actually stricter than in the US.
Oh, absolutely.
The point I’m making is that with its process Lutris + Wine are scaling up much faster to seamlessly make all sorts of Windows games Click & Play in Linux, than Steam can or even will try to (don’t expect Steam to get around to cover older games that aren’t successful AAA titles).
It’s the same old same old, open source software solution vs closed corporate software solution that happens in so many other domains: the open source one starts clunky and quirky and it will always tend towards the side of “giving users enough rope to hang themselves with” (too many option, many very powerful) whilst the closed corporate one will from the very start be slick and easier to use but very limited when it comes to what users can do to customize it or even fix it when it doesn’t work, but over time and if it manages to survive the open source one will be better and far more capable and flexible than the corporate one simply because contributions to it scale up with interest in it and number of users whilst that’s not so for the corporate one.
It’s what you see with for example Blender vs Adobe’s suit of 3D modelling programs or Linux vs Windows (if it weren’t for the well entrenched ecosystem of Windows-only applications, I doubt Windows would still be around).
That’s why I think something like Lutris + Wine are the future, not Proton integrated into the Store application of Steam.
Proton too just automates the work that somebody did in the form of install instructions, same as Lutris.
The difference is that those making the install scripts for Proton are paid for and you don’t get the option to fix them or make your own, which means that there are in fact fewer games with Steam install instructions (i.e. Steam Support) than games with Lutris install scripts.
Further, there are fewer things you can tweak in Proton and they’re all either changing the proton version or some badly documented text parameters that get fed to its command line, whilst Lutris actually has most such options in menus: the learning curve for just starting a game is lower in Steam that in Lutris when it works but the learning curve for fixing it when it does not work is lower in Lutris and sometimes you simply don’t have access to change what’s needed to fix it in Steam but you do in Lutris.
If you use Lutris with its GoG integration the experience is generally the same kind of Click & Play as Proton of Steam and whilst the rate of problems seems to still be a bit bigger in Lutris, surprisingly (at least for me) it’s not by much.
For me in Lutris having to go and install Microsoft components using Winetricks is generally only needed for some standalone installer executables, not when using GoG integration.
Steam is great when it works and a massive headache and pretty limited on what you can do when it doesn’t, whilst at least with GoG integration Lutris is great when it works and still a headache when it doesn’t but not as much as Steam and it gives you a lot more options to try and get it to work, plus the coverage of pre-made installer scripts in Lutris (which is what makes games “just work” in it) seems to be broader than in Steam, including covering older and more obscure titles, plus that coverage is probably growing faster because the scripts are user contributed rather than the work that can be done adding support being limited by how many people Valve (who are notorious for having very few employees for a company that size) hired to work on it.
Lutris has GoG integration and it’s exactly that same 2 step process if you use it (I believe it passes you through 3 screens of options were you invariably do nothing but click “Continue”, so strictly it’s 5 steps were 3 of the are just “Press Continue”)
The difference is that when it does NOT just work, it’s easier to figure out and there are more options to fix it with Lutris + Wine.
I even have some weird weird cases on Steam - like Borderlands 2 were Steam would often and randomly, before actually starting the game spend almost 1h doing shader conversions that if you stopped it the game would fail to start (the solution was to force an older Proton version and now you just get random downloads from the Internet that last a few minutes before the game starts).
IMHO, here too what one sees is the general design philosophy difference between open source software and corporate solutions - the former gives you tons of options and lots of ways to tune it so it looks more complicated to use and has a steeper learning curve but that also means when things go wrong you have a lot more ways to try to fix it, whilst the latter is click & play until things go wrong and then you have very little info and just a few things you can change to try and fix it.
Mind you, Lutris itself seems to be an attempt to also be click & play (hence why you generally get a steam-like experience if you use its GoG integration) but all the “buttons and knobs” are still there (those 3 screens of options that’s usually fine to just press “Continue” on that I mentioned above) just in case you want to muck about with them, making it look daunting to use.
I’ve been playing more GoG games with Lutris + Wine in Linux than Steam games with Proton and I even have one situation of a game were the copy I bought in Steam doesn’t work with Proton, but the pirated copy I downloaded to see if that would work runs absolutely fine with Lutris + Wine.
For me at least it’s actually easier to sort problems out with games when using Lutris + Wine than it is with Proton and I can even make sure all games I run from Lutris are wrapped in a “firejail” sandbox, which amongst other things blocks all network access, something I can’t do with Proton.
It’s a vendor-tied solution meant to keep you in the Steam ecosystem, so for all the great work they did in past getting it to have broad compatibility, the future is not Proton, it’s Wine.
The info is here and none of that “DRM” means you can’t in the future, after the servers are down, install the game from your copy of the offline installer and play it.
None of that is DRM in the sense we’re talking about here: the kind of mechanism that allows the game to be taken away from you or won’t let you install it or play it in single-player anymore when the publisher decides they don’t want to pay for servers anymore.
It is, none the less, a deviation from the No-DRM promise, IMHO.
Not in the sense we’re discussing it here, they don’t.
There’s a list of about 20 games said to have DRM in Gog and when you actually read the list rather than just it’s title it turns out none of them has what we would call DRM - any sort of phone-home validation or anti-piracy measure.
It’s mainly things games with add-on content that requires you use Gog Galaxy or register online, some that send analytics to a server and stuff like that.
You can see the info here,
Whilst it’s still nasty and still shouldn’t be happening, none of that makes the game unusable in the future after the servers are down if you still have the offline installer.
There are no penalties for filling a bogus DMCA takedown and the legal cost for restoring the content falls on the victim of such a takedown: the DMCA legislation was designed exactly for it to be used as Mazda and many other use it against individuals and small companies who can’t spend thousands of dollars fighting bogus takedowns.
Maybe you can go the warehouse and pick it up from the boxes, drive down to the farm to het the produce or, even better, grow your own food ALL THE WHILE STILL PAYING FULL VALUE TO THE SUPERMARKET.
“People used to have even more done for them and now they don’t and pay the same” is not the powerful argument for us having even less done for us that you think it is.
It’s almost as if they do underman the tills on purpose to force people to do the checkout work themselves for free …
Not wanting to do free work for a company (they don’t even give you a discount if you use self-service) is being a boomer?
That’s the first time I’ve seen the word “boomer” on the opposite side of the word “sucker”.
There’s a button there to enable/disable air-mouse functionality (basically the tilting of the remote moves the mouse pointer), though it’s awkward to use compared to a normal mouse.
The keyboard on the back is also awkward to use, not just because the keys are small and not quite in standard positions but also because Shift and Alt are both “press to enable, press to disable”, with no notification lights (so, say, your keyboard might be in “Alt mode” and you’re trying to used it and it’s just doing weird stuff).
The thing does work as a combo of media player remote + mouse + keyboard, but it’s not very practical for the last 2. Also that specific model seems to have problems with the remote buttons not working if the remote is tilted (which shouldn’t be at all a problem given that’s a wireless remote).
The idea is good, the implementation could be better. There are other models like that around. Just avoid the “Google” remotes as that’s Android-locked and for voice recognition (plus it comes pre-enshittified with only a handful of buttons which only start apps such as Netflix).
Even with the quirks of the remote, whilst using that setup I often find myself altogether forgetting that what I’m using there is a PC with Linux.
LibreELEC is basically a Linux distro with Kodi and installing it in one of those (or quite a number of supported similar boards, such as Orange Pis) should be the easiest way to “join the darkside”.
I’m using a N100 mini-PC with Kodi as a Media/TV Box and it works pretty much as a dedicated device would with one of these remotes.
I seldom have to actually access it with a keyboard and mouse, though that machine also works as my home server so I do regularly access it remotelly for stuff that has nothing to do with using it as a media box.
White vans, no less.