I am only critical that those models are in the hand of corporations who try to profit from it. Copyrights are mainly a tool to be wielded by the powerful: see Sony trying to disconnect ISP accounts en masse or media giants suing people into oblivion, Nintendo fucking over their fanbase again and again and so on.
The datasets should belong to an UN organisation like UNESCO, corporations/NGOs/people should be able to licence them to build their models (ev. with “community models” provided free for personal use), and the licence fees should be used to subsidize culture. This plus an UBI would make sure that artists don’t have to starve, corporations can use them to try to make a profit, and everyone else can use them to create for their own or their communities use. Artists that don’t want to go into the datasets have that right too, but also won’t have access to that financial pool (this shouldn’t be the only pool).
If we just got rid of copyright, we would just see Disney flipping other people’s work without credit, just like how genAI grifters try to use it currently.
Under capitalism, copyrights are a necessary tool for people to get paid for their labour in some cases. That’s not the most common usecase for copyrights, but a needed one until we get a better system. Fuck copyrights being used for corporate greed though. Somehow, more people are against the former than the latter, which is super wrong. But it’s not a reason to be against the former in addition to being against the latter.
The fastest fix is a very short copyright window, say 5-10 years. Given the fact that every movie release makes back it’s entire production budget in 1 week or is immediately deemed a flop, 5-10 years is plenty of time to mine an IP for boatloads of cash, plus once anyone can make a star wars movie or book or whatever, the real value shifts instead to the brand that produces it. New brands can make a name for themselves respinnong “old” IPs and making far better content than the original studio would’ve been willing to risk, and big brands can focus more on how important it is to view the only official versions of a given IP based on their branding.
I am only critical that those models are in the hand of corporations who try to profit from it. Copyrights are mainly a tool to be wielded by the powerful: see Sony trying to disconnect ISP accounts en masse or media giants suing people into oblivion, Nintendo fucking over their fanbase again and again and so on.
The datasets should belong to an UN organisation like UNESCO, corporations/NGOs/people should be able to licence them to build their models (ev. with “community models” provided free for personal use), and the licence fees should be used to subsidize culture. This plus an UBI would make sure that artists don’t have to starve, corporations can use them to try to make a profit, and everyone else can use them to create for their own or their communities use. Artists that don’t want to go into the datasets have that right too, but also won’t have access to that financial pool (this shouldn’t be the only pool).
Fuck copyrights.
If we just got rid of copyright, we would just see Disney flipping other people’s work without credit, just like how genAI grifters try to use it currently.
Under capitalism, copyrights are a necessary tool for people to get paid for their labour in some cases. That’s not the most common usecase for copyrights, but a needed one until we get a better system. Fuck copyrights being used for corporate greed though. Somehow, more people are against the former than the latter, which is super wrong. But it’s not a reason to be against the former in addition to being against the latter.
The fastest fix is a very short copyright window, say 5-10 years. Given the fact that every movie release makes back it’s entire production budget in 1 week or is immediately deemed a flop, 5-10 years is plenty of time to mine an IP for boatloads of cash, plus once anyone can make a star wars movie or book or whatever, the real value shifts instead to the brand that produces it. New brands can make a name for themselves respinnong “old” IPs and making far better content than the original studio would’ve been willing to risk, and big brands can focus more on how important it is to view the only official versions of a given IP based on their branding.
That’d also harm big corporations less than small, independent artists who don’t get paid as much per use of their artwork.